Gordon Bunshaft and SOM -9780300227475

     [注意] 1 本店只販售全新正品，絕不賣仿冒品，請安心購買。 2 下標前可以蝦皮聊聊是否商品有現貨。 3 下單前請再次確認選購的商品款式，商品須保持全新，並於取貨後15天內提出。若經拆封、使用後導致商品缺乏完整性，恕不提供退貨服務。 [商品資訊] by Nicholas Adams 精裝: 296頁 出版社: Yale University Press (2019) 語言: 英語 ISBN-10: 0300227477 ISBN-13: 9780300227475 [商品內容] A nuanced portrait of the 20th-century architect whose work defined the built aesthetic of corporate America Gordon Bunshaft's (1909–1990) landmark 1952 design for Lever House reshaped the Manhattan skyline and elevated the reputation of Skidmore, Owings & Merrill (SOM), the firm where he would spend more than 40 years as a partner. Although this enigmatic architect left behind few records, his legacy endures in the corporate headquarters, museums, and libraries that were built in his distinctive modernist style. Bunshaft's career was marked by shifts in material. Glass and steel structures of the 1950s, such as New York's Chase Manhattan Bank, gave way to revolutionary designs in concrete, such as the Beinecke Rare Book and Manuscript Library at Yale University and the doughnut-shaped Hirshhorn Museum in Washington, DC. Bunshaft's collaborations with artists, including Isamu Noguchi, Jean Dubuffet, and Henry Moore, were of paramount importance throughout his career. Nicholas Adams explores the contested line between Bunshaft's ambition for acclaim as a singular artistic genius and the collaborative structure of SOM's architectural partnership. Bunshaft received the Pritzker Architecture Prize in 1988 and remains the only SOM partner to have achieved this distinction. Adams counters Bunshaft's maxim that "the building speaks for itself" with necessary critical context about this modernist moment at a time when the future of Bunshaft's iconic works is very much in question.

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